Monday, February 10, 2014

The Man Who Killed Kennedy Book Review

the cast against LBJ
I was in kindergarten when Kennedy was shot. To say that the Kennedys were popular was an understatement. The two most popular Halloween costumes at the class party that year, less than a month before JFK was shot, had been John and Bobby plastic masks. My first inkling that something big had happened was when I got in the car and the mom who was driving carpool that day said nothing but only sobbed the drive home.

I heard Roger Stone do a radio interview on his book and realized I had read little to nothing on the assassination of John F. Kennedy. I didn't go see the Oliver Stone film. I found it strange that I've read books on the Viet Nam War and Watergate - the other two defining political events in my growing up years - but I had never taken the time to accept or reject the Warren Commission. It's interesting that in the back of my mind I've sort of known there are two self-contradictory popular beliefs that guide popular perception on the Kennedy assassination:
1.     the Warren Report is seriously flawed
2.    anyone that presents an alternative view of the Warren Report is a kook
So who does Roger Stone - longtime political strategist for Richard Nixon, Ronald Reagan, George H. Bush, and George W. Bush - say killed JFK? Since he has a picture of President Lyndon Baines Johnson on the cover and subtitles the book, The Case Against LBJ, I'm not giving a spoiler to tell you where this book is going. (Note: Stone is equally hard on Republicans as Democrats; he is an equal opportunity sledgehammer.)

His attack on the Warren Report - from his rejection of the "magic bullet" (the conclusion that the same bullet went completely through Kennedy's body and then hit Texas Governor John Connelly, breaking his leg), to the 50+ witnesses present that said there was gunfire from the grassy knoll and whose testimony was deemed unreliable - was all fascinating.

But what makes the book sizzle is his depiction of Johnson as a psychopath who had at least eight men murdered to protect and promote his political career. (The Box 13 incident that got him elected to the Senate in 1946 is just as surreal as the alleged murders in his wake.) Stone sets out to show how the parties that would most benefit from Kennedy's death worked together, including the Mob, J. Edgar Hoover, a few renegades in the CIA tied to the Bay of Pigs and several failed assassination attempts on Fidel Castro, certain Texas oilmen, and first and foremost, the man who stood the most to gain and who could organize the plot and then perform the most important function to hold it all together - controlling the evidence - namely Lyndon Baines Johnson.

How was the book? If you can get past the typos of a self-published bestselling outlier, Stone's writing was fine and propelled you through the pages. It was as or more titillating than many a political suspense thriller.

Did Stone make the case against LBJ? Like any argument based on an historical event; you have to present - and hope the readers / listeners believe - a boatload of circumstantial evidence, assembled cogently, and wrapped up neatly with a bow on top. Did I believe him? I think I can confidently say this:  Even if all Stone's assumptions and dot connecting aren't correct, he made an overwhelming case that the Warren Commission and its report was a sham that was designed to protect powerful participants in a plot that could not be subsumed within a lone gunman theory.


Is this the best book to read if you haven't read anything else about the Kennedy Assassination? Go back to the two popular beliefs: the Warren Report was flawed and conspiracy theorists are kooks. An author like Bill O'Reilly tries to make the case that both of those beliefs are still absolutely true - and that he has written a groundbreaking book. (And after reading Stone I'm finding Killing Kennedy decidedly unsatisfactory.) So why not Stone? You'll learn about the political winds of the day, the dominant views, and an alternative view that was there from the moment JFK was shot. If it doesn't go down right, there are a myriad of more traditional primers.

Saturday, December 8, 2012

Once a decade I get an irresistible urge to revisit the hardboiled crime noir classics I was introduced to in high school but didn't appreciate at the time.

My latest binge included Jim Thompson's The Killer Inside Me, Kenneth Fearing's The Big Clock, James Ellroy's LA Confidential, James M. Cain's The Postman Always Rings Twice, Dashiell Hammett's The Maltese Falcon, and two books from Raymond Chandler.


Particularly with Ellroy, Hammett, and Chandler, their anti-hero heros are troubled, rebellious, and cynical - but can't ever escape from that ember of honor and hope smoldering deep inside. The authors paint a dark, bleak picture of the underbelly of society - usually LA. Why LA? Why not LA? Where the lights shine brightest the shadows cast deep and wide.

Their outlook was shocking when they wrote their novels - especially Thompson when he wrote from the killer's perspective - but is standard fare today. (Today, you might need to write with a positive buoyancy to shock people!)

I still read crime novels, but I'm not sure anyone has really bested the patron saints, Hammett and Chandler. That begs the question, who had the greatest character? Was it Sam Spade or Philip Marlowe?

I like both characters - but Marlowe is my favorite and I believe he was at his best in The Long Goodbye - which just edged The Lady in the Lake in my mind.

Marlowe befriends Terry Lennox - wealthy but haunted by his demons from serving in war and by the escapades of his nymphomaniac wife. No good deed goes unpunished and soon both the cops and the gangsters are after Marlowe when he begins to investigate the death of Lennox's wife after being told to back off. Telling Marlowe to back off is like pouring gasoline on a fire.

Rereading Chandler is a graphic reminder that California has always had problems - and a guilty pleasure from an era of tough guys, dames in distress, partnerships between the gangsters and dirty cops, and the discovery that even heros have flaws.


__________
Mark Gilroy is author of the critically acclaimed novel Cuts Like a Knife. A 30-year veteran of the publishing industry, he has served as publisher and executive vice president at several companies and currently runs a company that services retailers, publishers, ministries, and other organizations in the industry.
How The Irish Saved Civilization by Thomas Cahill. Anchor Books.
In 406 A.D the Rhine River froze solid - and the barbarians crossed this temporary bridge to strike one of the final blows to a lazy, corrupt, and aging empire. When Alaric, king of the Visigoths, showed up at Rome's gates in 410 A.D., the citizens still didn't know the end was at hand. Unable to defend themselves - it was a lot of effort after all - they negotiated a "sack" to spare the city from bloodshed:
"So they kept their lives, most of them. But sooner or later they or their progeny lost almost everything else: titles, prosperity, way of life, learning: especially learning. A world in chaos is not a world in which books are copied and libraries are maintained. It is not the world where learned men have the leisure to become more learned."
While working through Gibbons' The History of the Decline and Fall of the Roman Empire for my nightstand reading, I realized I needed a shorter "boost" to keep going, so I decided to reread Thomas Cahill's much heralded work that shows the disappearance of learning, scholarship, and culture from the European Continent from the fall of Rome to rise of Charlemagne. All the great works of western civilization would have been lost were it not for the fact that as the Continent became illiterate, one small "unconquered people" at the edge of the Empire were just learning to read and write - with gusto. As peaceful Rome turned to chaos, chaotic Ireland grew more peaceful - the key word being more. Following the lead of their eclectic and passionately spiritual patron saint, St. Patrick, and his spiritual son, Columcille, they built centers of learning that not only drew visitors from the Continent, but sent a wave of missionaries that restored and returned the Greek, Roman, Christian and even "pagan" classic literature to Europe.

Just a fun note or two on Patrick. He was not actually Irish. He was a Briton - "almost Roman" - that was captured, enslaved and brutally mistreated by the Irish as a young boy. Following a vision from God - like King David he was a shepherd and solitude and deprivation turned his thoughts toward God - he escaped Ireland and received a seminary education. But his heart beat for Ireland. In one of history's unique footnotes, he became the first missionary since the Apostolic Age. Also, he didn't drive snakes out of Ireland, but he did curb the Irish passion for violence - curbing the passions of that day for hard drink and, um, ah, for a liberated sense of sexuality, is another matter. One of the reasons Patricus was so well received by his one-time tormentors was that he may have been the only man to stand up to the Irish of his century and say, "I am not afraid of you, I fear only God." That they liked and respected.

I'm only one in a long line of many to recommend Cahill's short, poetic, sometimes rambling, but always charming narrative that brings history to life.

1Q84 by Haruki Murakami

review of 1Q84 by Haruki Murakami
First things first. The title has nothing to do with IQ. The first character is the number 1 so the title is a play on George Orwell's 1984. Just in case you were wondering if I selected the title because of a possible correlation in title and my intellect!

If you aren't familiar with Japanese author Murakami, his novels are critically acclaimed - he has been awarded the Franz Kafka Prize, the Jerusalem Prize and many others - and are a fantastical mix of surrealism and a rich (sometimes dense) detailing of everyday life. He consistently deals with themes of loneliness and alienation and soul, the self and reality (and especially perception/imagination and reality). 1Q84 tackles all that and adds acute questions of the-ends-justify-the-means murder, religion and cults, destiny, sexual abuse, revenge, and parallel realities. Oh, it takes a while to catch on, but first and foremost, it is a love story.

Was it listening to Janacek's Sinfonietta that sent Aomame ("sweet pea") into another world with two moons? Did Tengo see the same two moons when he rewrote Fuka-eri's crude draft of Air Chrysalis? (And by the way, was that a story from the fevered imagination of a 17-year-old girl or was she describing things that actually happened?) Will either of them survive the revenge of a cult group called Sakigake and the brilliant and relentless pursuit of Ushikawa - a man with a large misshapen head that shouldn't be able to follow anyone without being noticed? And what of the "Little People" - who seem to hold special powers in 1Q84 and that seem to be looking for a bridge to 1984 - are they neutral or as malevolent as we suspect? And the big question: did Aomame and Tengo have to enter 1Q84 to find each other after 20 excruciating years of separation from each other and disconnect from the world around them? I don't think it's a spoiler alert to say that they became soul mates at age 10.

Enough. You're with me or not. If I've scared you off completely, don't run away before reading the last sentence of this paragraph. If you've read other reviews I've written what you might have already discovered is I don't actually review books - I recommend books. Sometimes quite different books.  I know Murakami is not for everyone - though 1Q84 sold a million copies in Japan alone - and I'll have to admit, it's not my usual fare. But I recommend this book for its dense, other-worldly beauty - reading it creates that curious sensation of wanting (even needing and willing) it to be done and to never end.

The original Japanese was publishing in 2010-11 and the English translation was introduced in 2011. I read the lovely boxed set (very reasonably priced on Amazon and Barnes and Noble and others) that was given to me as a gift by my son Merrick.


Wednesday, October 19, 2011

kisses from katie


Kisses from Katie. By Katie Davis. Simon & Schuster. 2011.

We moved to Brentwood, Tennessee, in January 2006. My youngest daughter, Caroline, was a junior in high school. You can imagine how nervous we were as parents on how the move would go for an almost-senior (and for the two other kids still in the house). Within days Caroline met two Katies who welcomed her to Ravenwood High School and made her feel as if she had grown up in their circle of friends. I'm still sighing with relief.

One of the wonderful Katies - Katie Davis - took a different path after graduation to say the least. She is now the unmarried mother of 14 young girls. Is that even possible? Is this one of those stories about youth gone bad?

I need to give a warning to any potential readers at this point. Do not pick up Kisses from Katie if you live a comfortable life and don't want anything or anyone messing up your comfort zone.

Katie's story is a story of youth gone good. It is both heartwarming and heartbreaking - and in reading it you will never be satisfied with a status quo lifestyle again. If you have never felt a gentle nudge from God that you have something beyond yourself to accomplish in this world - or if you have suppressed and ignored the nudge - this book serves as a loud, clanging, blaring wakeup call to hear and embrace your call.

"Kids" can be idealists - and when Caroline told me Katie was going to do a yearlong mission project before attending college, I thought that sounded great - that it would be good for her. Little did I know ... I did know Katie's parents were quite nervous when she said the project would be serving in an orphanage in Uganda. After surveying the situation in Africa carefully, her dad reluctantly gave his permission for her to go - with the condition that she promise to come back and enroll in college and move on with her life. She was true to her word - but even as she attended classes the fall of her return, she was miserable, thinking only of her "girls" back in Uganda.

Katie - high school homecoming queen and student body president and honor student and girlfriend to a handsome, committed, spiritual, star athlete - had every reason to "come home." But her heart was back in Uganda with the motherless children she had fallen in love with. Is it any wonder that the name she has been given by the people of her village is "Mommy." Katie's ongoing adventures in Uganda are  amazing and fit the adage that truth is stranger than fiction. In her case, it is not stranger, but more incredible.

My family has been blessed by the Katie who befriended the "new kid" at school. We've been privileged to meet two of her daughters, Patricia and Grace. Most of all we have been inspired to step out of our comfort zone and to look around to see what God is doing in the world that we need to take part in.

I can't recommend Kisses from Katie highly enough for the spiritual blessings you will experience reading this story of relentless love and redemption.

Friday, October 7, 2011

the day satan called

By Bill Scott. FaithWords, a division of the Hachette Book Group. Published October 2011. We live in a culture that is skeptical of most things spiritual - but that can't seem to get enough of dark, scary movies and books - from Rosemary's Baby to The Exorcist and a host of annual releases. So what more can be said about demons and evil spirits? I will establish up front that I am friends with the author of The Day Satan Called and worked with him a bit on the development of the project. But that doesn't mean I can't be a raving fan and recognize some special contributions Bill has made through this book, does it? I met Bill Scott and his wife Janet about a year ago to discuss a couple publishing projects they needed to work on for an organization for youth they founded and run. In the course of the conversation Bill mentioned off-handedly that he had written a manuscript (with more than a little help from Janet) of his experience with a ... witch ... who he had invited to live in his home in order to help her ... okay. Suffice it to say I watched Bill just a little more closely to see what kind of guy he really was. What I noticed then and have seen confirmed over and over in the subsequent year is that Bill is direct and honest to a fault. I took the manuscript home and was transfixed - and terrified. That's the first thing I would say about The Day Satan Called - it is a well-written, fast-paced, entertaining, and incredibly scary story. Bill seems to take you to the edge of the cliff at the end of every chapter. About the time you think what he lived through couldn't get worse - it does. I'm not going to give away any spoilers, but I'll note that the book has a totally unexpected ending. The story is great but it is Bill's observations that make this book special. In the process of looking back at how things started and ended, Bill asks and answers some poignant questions about demon possession: is it related to multiple personality disorder (MPD) - sometimes? All of the time? How much of what is called demon possession is someone's personal fantasy or even a con game? Or both? How prevalent is demon possession in our society and how concerned should we be? With all the temptations in the world that seem to work so well with so many, why would Satan even bother with possessing of some people? Can a Christian be demon possessed - or in the case of a person suffering from MPD, can one personality be redeemed and another personality be possessed? I mentioned that Bill is honest and direct. He doesn't claim to know all the answers to those and other questions, but he does a great job of presenting what happened to him - even the parts that are personally embarrassing and he'd rather forget - and reaffirming the scripture: "You are of God, little children, and have overcome them, because He who is in you is greater than he who is in the world" (1 John 4:4).

Monday, August 2, 2010

The Brief Wondrous Life of Oscar Wao

By Junot Diaz. Riverhead Books (Penguin). Published in 2007.

A number of friends and family members recommend books for me to read. With a few of them I take particular note: this is a good indication that I'm not going to like the book. But one person in my life who recommends a book two to three times a year - and almost always one I am initially suspect of because it is not something I would pick out myself - is my son Merrick.

I never would have read Orson Scott Card (Ender's Game), Haruki Murakami (Hard-Boiled Wonderland and the End of the World) or Yann Martell (Life of Pi - though I probably would have got to that one eventually) - to name just a few.

Honestly, I really wasn't interested in a novel that deals with the political history of the Dominican Republic under the brutal Trujillo regime - I can watch the news if I want to be depressed was my first thought - but Merrick recommended it - and Diaz's first novel did garner a few little awards like the Pulitzer Prize and the National Book Critic's Circle Award. But on the issue of awards, that's not necessarily a dealmaker for me; after all, there's more than a few Oscar-winning movies none of us liked. So it came back to Merrick's recommendation. I ordered it, promptly put it on the stack of books by my bed - where it dropped as low as the bottom third (usually the sure sign it's never going to be opened) - and read other stuff for six months before finally picking Oscar up. Reluctantly. Did I mention this book deals with the political history of the Dominican Republic under the the brutal Trujillo regime - AND includes footnotes with historical context and explanations throughout the novel?

Are you feeling as unenthused about Oscar as I was yet? I can go on!

But what a pleasure The Brief Wondrous Life of Oscar Wao was to read. The jumbled but poetic wordsmything (along with those interesting and slightly disconcerting but somehow fitting footnotes) mark Diaz, the author, as an interesting blend of stream of conscious thought and carefully constructed and intellectual analysis of the world through the eyes of his characters and his out-of-story interjections as self-aware author. (I guess pulling that off is part of the reason he is a professor at MIT. I'm pretty sure he's a very smart guy.) The novel is a subtle and nuanced winding road with an occasional roadblock that delivers a direct, to-the-point, academic, sledge hammer observation on life.

Our hero, Oscar, is born in poverty in the DR - though his grandfather was a wealthy and famous physician in that nation whose unforgivable crime against the state was to hide a beautiful daughter from the lecherous Trujillo - and moves to a rundown, hardscrabble community in New Jersey that is bordered by a dump on one side and a six lane highway on another. There is a fleeting period of Oscar's life when he is the most handsome boy in his neighborhood and school and his mom and great aunt are convinced he is destined to be an international pop star - perhaps as big as Porfirio Rubirosa. But that is a short lived fantasy on their part as Oscar becomes a fat little boy who is the object of ridicule and relentless teasing from classmates. It doesn't help that Oscar's mother is distant and harsh to the point of cruelty - she would probably be reported to health and human services today - with he and his sister. (There's a reason this savage beauty is the way she is that can only be explained by the ravages of the curse described in the next paragraph of this review.) But Oscar is a survivor and escapes into a world of sci-fi and fantasy - he is a bonafide literature and gaming nerd - that allows him to be and dream anything but what he is. Speaking of dreams, Oscar has only two compelling visions in life:  first is to become the Domincan version of J.R.R. Tolkien; and second is to find true love, something he he feels he glimpsed in the golden age of his pre-adolescent youth when he seemed to be on his way to becoming the next Pofirio Rubirosa. Oscar writes novels by nightstand light and falls madly in love on a constant basis - always and inevitably to experience the anguish of heartbreak. Sometimes before the object of his affection even knew he was in love with her.

I should have started where the book starts and mentioned that Oscar is primarily about an evil spirit - the Dominican word is fuku - that has cursed Oscar's family from the moment Trujillo (master of or mastered by evil spirits?) heard rumors of the beautiful daughter of Oscar's grandfather. The evil spirit has destroyed or stolen anything good the family has had or might have experienced - from lands and wealth to beauty and health. (Oscar believes the original fuku landed at San Juan with Christopher Columbus: the Ground Zero of the curse.) So Oscar's family's story is that of a precipitous fall from grace to one of dysfunctional but heroic struggle against the weight of a brutal personal history. The ultimate question I got from the book is this: if you are cursed is there any point in fighting it? Isn't that what a curse is - something you can't fight? Or is there something one can do? How does a lost, downtrodden, forgotten, broken family - and a not-so-little boy who suffers from depression and inertia - stand up to all that an evil spirit - one that is still alive in human form through Trujillo's heirs - and all that it can send at them?

On a visit to see family in the DR it is the frightened, cowardly, non-threatening and non-physically-imposing, ostracized, outcast, loner Oscar that dons the armor of a knight from one of his fantasy novels and choose to face and slay the fuku beast on behalf of his family once and for all - and win the heart of his one and only true love while doing it.

Does his story end in the most improbably of victories - like Frodo Baggins in Oscar's author-hero's Lord of the Rings trilogy - or does his family's fuku prevail and claim yet another victim? If you're in the mood to read a book that deals with the political history of the Dominican Republic during the brutal Trujillo reign, you will discover the answer!

Sad. Humorous. Fanciful. Brutal. Optimistic. Fatalistic. Jumbled. Linear. The Brief and Wondrous Life of Oscar Wao has it all.